小丽丝 (1930)
简介 Jean Grémillon’s first talkie, the 1930 LA PETITE LISE, is anything but talky. While opening and closing with soulful afro-Latin strains, something just above silence reigns throughout the film. Grémi
llon is already orchestrating the auditory menace of nuanced sound sculpting that would later pervade REMORQUES (1941), setting forth evolving rhythmic figures at an atmospheric whisper. Grémillon grafts this aural frieze onto smoldering b&w photography. Truly, the frame is often smoking for purposes of motif. In truth, this film ha...
